#MELODYNE 3 TUTORIALS MANUAL#
The dual Mac/PC installation CD and printed manual are accompanied by a second CD that contains some 130MB of ' Melodyne ready' samples from Ueberschall, who have collaborated with Celemony on the Liquid Instruments range of software instruments. While this doesn't offer the same degree of control as for monophonic performances, Celemony do claim that the pitch and tempo-shifting is of a very high quality. However, perhaps the most significant additional feature within the top-of-the-range 'Studio' edition of Melodyne is the ability to work with polyphonic files (for example, a complete mix). Most notably, these included a need to make the workflow more efficient, and key improvements in version 3 do include many alterations to the user interface. Indeed, while Melodyne is perfectly capable of automatic pitch correction, by allowing the user to modify the pitch and timing of individual notes within a monophonic sung or instrumental phrase, it can also completely rephrase a melodic audio recording and, as a result, also offers double-tracking and harmony part-generation capabilities that are more akin to TC-Helicon's Voice One or Voice Pro.ĭespite the software's extraordinary functionality, in reviewing version 2 of Melodyne, Paul White did identify a few areas where things could be improved. Yet there can be few users who have experienced Melodyne (even in demo form) and not been amazed at just how malleable it makes audio recordings - this is not just a 'me too!' pitch correction tool. In one sense this is understandable, as Auto-Tune offers an automated quick fix for vocal intonation problems, which might be all that is required by many studio owners or recording musicians. However, despite the jaw-dropping capabilities of Melodyne, and the fact that it is much more than a tool for pitch correction, it hasn't quite become an industry standard in the way that Antares' Auto-Tune has. Version 2 of the software, reviewed in the January 2004 issue of SOS ( jan04/articles/melodyne2.htm), brought many improvements, including better integration with mainstream sequencers via the Melodyne Bridge plug-in and Rewire support. When Melodyne was first released back in 2001, it caused quite a stir, thanks to its ability to perform extreme pitch and time-stretching of monophonic audio recordings with a minimum of audible artifacts.
#MELODYNE 3 TUTORIALS FULL#
Note the continuous pitch curve that passes through all the note 'blobs'.Ĭelemony's Melodyne has always worked miracles with the pitch and timing of monophonic audio, but the new version 3 turns its attention to full mixes.
The Editor window with the Audio-to-MIDI and Notation displays switched on.
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